Thinking Activity on Detective fictions of modern literature

Hello readers, I'm going to talk about detective fictions of twentieth century literature. So the first question that arrives in our mind is what is detective fiction ? Which type of work is called detective fiction ? So let's go through some interesting things about detective fiction. 



  • Definition of Detective Fiction


"Detective fiction is a genre of writing where a detective works to solve a crime. The audience is challenged to solve the crime by the clues provided before the detective reveals the answer at the end of the novel"


The detective figure, literary and real, emerged in Siam between the late nineteenth and early twentieth centuries to bring clarity to increasingly complex social and political situations. In the beginning of the novel, a crime is introduced. Oftentimes, it seems like the perfect crime. The detective works to gather clues and may, at times, seem like he or she is making mistakes or may even seem inept. In some novels, the wrong person is accused based on just a little evidence. Eventually, the detective begins to piece together the crime and, usually because of some unexpected event, the detective solves the crime and finds the guilty culprit. 


◆History of Detective Fiction


The first detective story is credited to Edgar Allan Poe and his short story "The Murders in Rue Morgue" written in 1841.




In this story, two women are murdered, and the police have a hard time solving the case. Detective Dupin leads his own investigation and solves the crime when the police cannot. Poe continued to use Detective Dupin in several other short stories.


Here is one video about Poe's The Murders in the Rue Morgue.




The genre grew somewhat popular throughout the 1800s. Victorian authors, such as Wilkie Collins and Charles Dickens, wrote detective fiction. However, when Sir Arthur Conan Doyle created Sherlock Holmes, the genre grew. Doyle wrote over fifty short stories and novels about Sherlock Holmes with his sidekick Dr. Watson. Doyle's characters are still popular today.


In the 1900s, many new detectives were introduced, securing that the genre continued to grow. Some of the more popular detectives were Endeavor Morse and Gervaise Fen, a creation of Edmund Crispin. Crispin is credited with taking the detective genre into a more contemporary direction. 


◆Characteristics of Detective Fiction


Detective fiction is different from crime fiction and mystery fiction. It has some characteristics which makes it different from other.


  •  Detective

  • Investigation

  • Crime

  • Complexity

  • A celebrated, skilled, professional investigator

  • Bungling local constabulary

  • Detective inquiries

  • Large number of false suspects

  • The "least likely suspect"

  • A reconstruction of the crime

  • A final twist in the plot 



◆Golden Age of detective novels 

The period between World War I and World War II (the 1920s and 1930s) is generally referred to as the Golden Age of Detective Fiction. During this period, a number of very popular writers emerged, including mostly British but also a notable subset of American and New Zealand writers. Female writers constituted a major portion of notable Golden Age writers. Agatha Christie, Dorothy L. Sayers, Josephine Tey, Margery Allingham, and Ngaio Marsh were particularly famous female writers of this time. Apart from Ngaio Marsh (a New Zealander), they were all British.


Various conventions of the detective genre were standardized during the Golden Age, and in 1929, some of them were codified by the English Catholic priest and author of detective stories Ronald Knox in his 'Decalogue' of rules for detective fiction. One of his rules was to avoid supernatural elements so that the focus remained on the mystery itself. Knox has contended that a detective story "must have as its main interest the unravelling of a mystery, a mystery whose elements are clearly presented to the reader at an early stage in the proceedings, and whose nature is such as to arouse curiosity, a curiosity which is gratified at the end." According to scholars Carole Kismaric and Marvin Heiferman,


"The golden age of detective fiction began with high-class amateur detectives sniffing out murderers lurking in rose gardens, down country lanes, and in picturesque villages. Many conventions of the detective-fiction genre evolved in this era, as numerous writers from populist entertainers to respected poets  tried their hands at mystery stories."


◆Subgenres of Detective Fiction 


●Standard private eye, or "hardboiled":-


Martin Hewitt, created by British author Arthur Morrison in 1894, is one of the first examples of the modern style of fictional private detective. This character is described as an "'Everyman' detective meant to challenge the detective-as-superman that Holmes represented." Michael Collins, pseudonym of Dennis Lynds, is generally considered the author who led the form into the Modern Age. 


●Inverted detective:-


An inverted detective story, also known as a "howcatchem", is a murder mystery fiction structure in which the commission of the crime is shown or described at the beginning, usually including the identity of the perpetrator. The story then describes the detective's attempt to solve the mystery. There may also be subsidiary puzzles, such as why the crime was committed, and they are explained or resolved during the story. This format is the opposite of the more typical "whodunit", where all of the details of the perpetrator of the crime are not revealed until the story's climax. 


●Police procedural:-

   

Many detective stories have police officers as the main characters. These stories may take a variety of forms, but many authors try to realistically depict the routine activities of a group of police officers who are frequently working on more than one case simultaneously. Some of these stories are whodunits; in others, the criminal is well known, and it is a case of getting enough evidence. We see some images in their study rooms, like



●Historical mystery:-   

These works are set in a time period considered historical from the author's perspective, and the central plot involves the solving of a mystery or crime (usually murder). Though works combining these genres have existed since at least the early 20th century, many credit Ellis Peters's Cadfael Chronicles (1977–1994) for popularizing what would become known as the historical mystery. 


●Cozy mysteries:-


"Cozy mysteries" began in the late 20th century as a reinvention of the Golden Age whodunit, these novels generally shy away from violence and suspense and frequently feature female amateur detectives. Modern cozy mysteries are frequently, though not necessarily in either case, humorous and thematic (culinary mystery, animal mystery, quilting mystery, etc.)



This style features minimal violence, sex, and social relevance; a solution achieved by intellect or intuition rather than police procedure, with order restored in the end; honorable and well bred characters; and a setting in a closed community. Writers include Agatha Christie, Dorothy L. Sayers, and Elizabeth Daly.


●Serial killer mystery:-

   

Another subgenre of detective fiction is the serial killer mystery, which might be thought of as an outcropping of the police procedural. There are early mystery novels in which a police force attempts to contend with the type of criminal known in the 1920s as a homicidal maniac, such as a few of the early novels of Philip Macdonald and Ellery Queen's Cat of Many Tails. However, this sort of story became much more popular after the coining of the phrase "serial killer" in the 1970s and the publication of The Silence of the Lambs in 1988. 


●Occult detective fiction:-   


Occult detective fiction is a subgenre of detective fiction that combines the tropes of detective fiction with those of supernatural horror fiction. Unlike the traditional detective, the occult detective is employed in cases involving ghosts, demons, curses, magic, monsters and other supernatural elements. Some occult detectives are portrayed as knowing magic or being themselves psychic or in possession of other paranormal powers.

◆Writers of detective fiction


Detective fiction became very famous during 20th century. Let us see some of the famous writers and their books: 


◆Agatha Christie:-

Dame Agatha Mary Clarissa Christie, Lady Mallowan,  (15 September 1890  12 January 1976) was an English writer known for her 66 detective novels and 14 short story collections, particularly those revolving around fictional detectives Hercule Poirot and Miss Marple. She also wrote the world's longest-running play, The Mousetrap, which was performed in the West End from 1952 to 2020, as well as six novels under the pseudonym Mary Westmacott. In 1971, she was made a Dame for her contributions to literature.


●Notable works●


  1. Creation of characters Hercule Poirot and Miss Marple

  2. Murder on the Orient Express

  3. The Murder of Roger Ackroyd

  4. Death on the Nile

  5. The Murder at the Vicarage

  6. Partners in Crime

  7. The A.B.C. Murders

  8. And Then There Were None

  9. The Mousetrap 


◆Margery Allinghom:-

Margery Louise Allingham(20 May 1904 – 30 June 1966) was an English writer of detective fiction, best remembered for her "golden age" stories featuring gentleman sleuth Albert Campion.


Her notable works are the crime at black Dudley, mystery mile, look to the lady, police at the funeral, sweet danger, death of a ghost, flowers for the judge etc. 


◆Dorothy Sayers:-


Dorothy Leigh Sayers (13 June 1893 – 17 December 1957) was an English crime writer and poet. She was also a student of classical and modern languages.

She is best known for her mysteries, a series of novels and short stories set between the First and Second World Wars that feature English aristocrat and amateur sleuth Lord Peter Wimsey. She is also known for her plays, literary criticism, and essays. Sayers considered her translation of Dante's Divine Comedy to be her best work. Sayers' obituarist, writing in The New York Times in 1957, noted that many critics at the time regarded The Nine Tailors as her finest literary achievement. Sayers received a degree in medieval literature from the University of Oxford in 1915, she was one of the first women to graduate from that university. Her first major published work was Whose Body? (1923), a detective novel in which Lord Peter first appeared as a dashing gentleman-tscholar. The book was followed by one or two novels a year for about 15 years. Sayers wrote short stories that featured not only Lord Peter but also another detective creation, Montague Egg. She also published an anthology of the detective story, The Omnibus of Crime (1929). 


◆Arthur Morrison:-


Morrison, himself born in the East End, began his writing career in 1889 as subeditor of the journal of the People’s Palace, an institution designed to bring culture into the London slums. In 1890 he became a freelance journalist and in 1892 a regular contributor to William Ernest Henley’s National Observer, in which most of the stories in Morrison’s first major work, Tales of Mean Streets (1894), originally appeared. A Child of the Jago (1896) and To London Town (1899) completed this East End trilogy. Morrison published another powerful novel of slum life, The Hole in the Wall, in 1902. His realistic novels and stories are sober in tone, but the characters are portrayed with a Dickensian colourfulness. His attitude toward the people he described was paternalist, rather than radical, and he opposed socialism and the trades-union movement. He also wrote detective fiction that featured the lawyer-detective Martin Hewitt, published primarily in the Strand magazine (1894–96), it was the most successful rival to Arthur Conan Doyle’s Sherlock Holmes. 


◆Arthur Conan Doyle:-

Arthur Asher Miller (October 17, 1915 – February 10, 2005) was an American playwright and essayist in the 20th-century American theater. Sherlock Holmes is a fictional private detective created by Arthur Conan Doyle. Referring to himself as a "consulting detective" in the stories, Holmes is known for his proficiency with observation, deduction, forensic science, and logical reasoning that borders on the fantastic, which he employs when investigating cases for a wide variety of clients, including Scotland Yard. 




Among his most popular plays are 


● All My Sons (1947), 

● Death of a Salesman (1949), 

● The Crucible (1953), 

● A View from the Bridge (1955, revised 1956). 


He wrote several screenplays and was most noted for his work on The Misfits (1961). The drama Death of a Salesman has been numbered on the short list of finest American plays in the 20th century. 


◆Raymond Chandler:-


Raymond Chandler (1888–1959) was an American-British novelist and screenwriter. He was born in Chicago, Illinois and lived in the US until he was seven, when his parents separated and his Anglo-Irish mother brought him to live near London; he was educated at Dulwich College from 1900. After working briefly for the British Civil Service, he became a part-time teacher at Dulwich, supplementing his income as a journalist and writer mostly for The Westminster Gazette and The Academy. His output consisting largely of poems and essays was not to his taste, and the critic Paul Bishop considers the work as "lifeless", while Contemporary Authors describes it as 

"lofty in subject and mawkish in tone".


◆His notable works◆


●The Big Sleep, Marlowe, 

●The Long Goodbye,

●Farewell, 

●My Lovely, more

●The Lady in the Lake,

●Trouble Is My Business, Blackmailers Don't Shoot. 


◆L.T. Meade and Robert Eustace:-


These two writers together created John Bell, a “ghost exposer” who uses Holmesian techniques to unmask fake ghosts; these stories were collected in A Master of Mysteries in 1898. The two authors, both together and separately, created a number of other detectives, a few of them women, like Detective Florence Cusack (Meade) in “Mr. Bovey’s Unexpected Will” in Harmsworth Magazine in 1899, and Detective Norman Head in the 1899 volume The Brotherhood of the Seven Kings(Meade and Eustace). They both often used the locked-room mystery format; for example, in The Brotherhood of the Seven Kings, the detective Norman Head solves “The Mystery of the Strong Room” when a diamond is stolen from a locked room by one of what was a new development, a villainous woman, Madame Koluchy, the head of an Italian criminal gang.


To wind up we can say that there were some of the authors of detective fiction during the time of early 20th century, which is considered as golden period of the detective fiction. So many writers tried this genre, many characters they created. From its born this genre has never died and today also film adaptation of these detective stories has been made. This genre is very popular in TV serials, newspaper stories, movies, comics and even in cartoons also. We can say that this genre has still great future. 

Thinking Activity on Indian poetics

Hello readers, in this blog I'm going to discuss about Indian poetics and it's six branches. Well known poet Dr. Vinod Joshi sir took lectures on this Indian poetics. Every year he come to department, but this year due to #corona pandemic they took lectures in online mode (hybrid mode). It's very interesting to learn in online mode with some advantages and some disadvantages. After all lectures  head of our english department Dr. Dilip Barad sir gave us an activity on Indian poetics. Here we have to write about what we understand rather than the information. So let's talk about this. There are some glimpse of our hybrid class,





Poetics is one of the three main branches of knowledge including grammar and philosophy in which Indian scholarship has presented valuable and relevant findings during ancient and medieval periods. Indian Poetics especially classical Sanskrit poetics holds an old and rich tradition starting from Bharta‟s Natyashatra and extended up to Panditraja Jagan Natha‟s Rasgangadhara. It continued about thousands of years, presenting various logical, philosophical, linguistic and semantic approaches to study the literary texts.



As a result, a number of great works have been produced in the concerned field and six main schools of Sanskrit poetics namely Rasa School, Alamkara School, Dhvani School, Riti School, Vakrokti School and Auchitya School came into existence. 


1. Rasa Sampraday 


Rajshekhar said that the founder of Rasa Sampraday was Nandikeshwar. But there is no Grantha found of him. The first scientific philosophy of interest is found in Bharata's Natyashastra


The principle of rasa is the most ancient and eternal principle in Indian poetry.  Natyaras were founded by Adya Kavyacharya and Natyacharya Bharatmuni.  Since then no principal has been able to disregard Rasa Shastra and Rasa Vichar. Rasa resides in one form or another.  Other theories are often formed with interest at the center.  Bharat's successors Acharya Bhatt, Lolat, Shankuk, Bhattanayak and Abhinav Gupta wrote commentaries and commentaries on Bharat's Rasa Sutra.  As a result, various opinions arose. Phonological principles like Anandvardhan also called the rasa sound excellent and discussed it in the context of Rasa's poetry.  Alankar shastris like Bhamah, Dandi, Rudrat etc. also accepted rasa through rasa  Attire.  The qualities of a formalist dwarf are also rasasadhaka.  The ironic Kuntak also shows the way to the doctrine.  Abhinav Gupta's Rasavichar is the pinnacle of Indian poetry. 


Rasa is also considered to be the "soul of the poet" in the metaphor of "poet" in Indian poetry.  Vishvanatha gave a very interesting definition of poetry, 


वाक्यं रसात्मकं काव्यम् ।

-Vishvanatha


The composer of "Natyashastra" Bharat said that, There is no meaning in drama without rasa.  Rasa is the central element of the play.  Rasa should be concluded in the emotional mood of the play. 


न हि रसाद्रते कश्र्विदार्थ प्रवर्तते ।

रसस्यते आस्वाधते इति रसः ।


Bharat has also discussed the eight Rasa, its abidiing emotions, the deity of Rasas, the sattvic emotion, etc.  Bharat has counted eight rasas of the play.  Which is as follows 


  1. શૃંગાર

  2. વીર

  3. હાસ્ય

  4. રૌદ્ર

  5. કરુણ

  6. અદ્ભૂત

  7. બીભત્સ

  8. ભયાનક


કાવ્ય દ્વારા પ્રાપ્ત એવો રસ એક આનંદ છે. આ "કાવ્યારસ કે કાવ્યાનંદ" કાવ્યનો આ સૌંદર્યાનંદ છે. 

  • પ્લેટો કાવ્યાનંદને ઇન્દ્રિયજન્ય આનંદ માને છે.

  • એરિસ્ટોટલ સૂક્ષ્મ આનંદ માને છે.

  • કોચે એને સ્વયં સ્ફુરનાત્મ અભિવ્યક્તિનો આનંદ કહે છે.

  • બ્રેડલે તેને અનિરવચનીય વિશિષ્ટ આનંદ કહે છે.

  • રિચાર્જ તેને સામાન્ય ઇન્દ્રિય અનુભૂતિ નહિ પરંતુ ભાવિત ઇન્દ્રિય અનુભૂતિ માને છે.

There are only eight Rasa according to Bharat. Bhaktiras are added later.  Some editors of Rasa also consider Vatsal Rasa from Vatsalya. So in that way other poetic elements have found a place in Indian literature.  Which Bhamah, Dandi, Rudrat, Vaman, Aanandavardhan,  Mammat, Mintak, Agnipuran, Mahinbhatt, Vishvanath and Rajshekhar etc. all have accepted this. 



2.Alankara Sampraday 


The metaphorical theory is also an important principle in Indian literature.  The metaphorical cult lasted for ages and the field of metaphor has been very plowed.  Acharya Bhamah, the preacher of the Alankar sect, is celebrated.  The word metaphor is explained in two ways, 


  1. अलहिक्रयेते अनेन ईति अलंङकारः । (એટલે કે જેનાથી અલંકૃત કરવામાં આવે છે તે અલંકાર.)


  1. अलंङकरोति ईति अलंङकारः । (અર્થાત અલંકૃત કરે તે અલંકાર છે.)


Bhamah has named his book "Kavyalankar".  And metaphors etc. have shown the utmost importance of metaphors in poetry.  Just as the beautiful face of a beautiful woman is not adorned without ornaments, like that poetry is not adorned without ornaments. 


"It's device of language"


Dandi has considered the attire to be the adornment of poetry.  He considers metaphors etc. as ordinary metaphors.  Vaman considered  Alankar as a poetic beauty.  The metaphor itself is poetic.  It is not just a tool but a self-fulfillment.  So he says that, 


काव्यं ग्राह्यं अलंकारात्,

सौन्दर्य अलंकारः ।


અર્થાત અલંકારોથી જ કાવ્યને ગ્રહણ કરવું જોઈએ. કાવ્યની સુંદરતા જ અલંકાર છે. 


Rudrat is also well known Metaphoric. He has a good collection of metaphors.  Panini and Yask also comment on the analogy.  So it can be assumed that there would have been a classical review of metaphor even at that time. 


In the Alankar sect, there is a wide range of Acharyas from Bhamaha to Dandi, Rudrat, Rupyak, Bhoj, Pratiharenduraj, Jaydev etc. There is two types of Alankara,


  1. શબ્દાલંકાર

  2. અર્થાલંકાર


According to rhetoricians, rhetoric is the lifeblood and everything of poetry.  But metaphor is not the soul of poetry nor is it inevitable in poetry.  Rhetoric only becomes useful in expressing the beauty of poetry.  The metaphor makes the expression interesting and accurate. Thus metaphor is a useful essential and benevolent element in poetry. 


3.Riti Sampraday


The Riti theory of Indian literary philosophers is as important as ancient style science.  The promoter of the Riti sect is the Vamana.  In his treatise entitled "કાવ્યાલંકારસુત્રવૃત્તિ" he defines ritual as follows, 


रीतिरात्मा काव्यस्य ।

("રીતિ એ કાવ્ય નો આત્મા છે")


विशिष्टा पादरचना रीतिः ।

("વિશિષ્ટ પદરચના એટલે રીતિ")


विशेषो गुणात्मा ।

("વિશેષ એ ગુણાત્મા છે")


Thus Vamana considers Riti and Guna to be as intertwined as nature and man.  So along with the method the principle of marks is also discussed.  This Riti is called modern style. 


Riti Vichar may have come from Kavyacharya and Natyacharya Bharatmuni because he has talked about Vrutti and Guna.  Bhamah and Dandi have also contemplated before the Vamana.  They offer two ways to Riti: 


  1. વૈદર્ભ

  2. ગૌડ


Vamana added પાંચાલી. After Vamana Udbhatt, Rudrat, Aanandavardhan, Kuntak, Bhoj, Mammat, Vishvanath, Jagannath and Hemchandracharya etc gave their oral opinions about Riti. Vaman established the "Riti" based on all these ritualistic views and his own original thinking and gave place to the soul of his poetry. 


  • ભામહ રીતિ માટે "કાવ્ય"

  • દંડી રીતિ માટે  "માર્ગ"

  • ઉદ્દભટ્ટ રીતિ માટે "વૃત્તિ"

  • ભોજ રીતિ માટે "પંથ

  • આનંદવર્ધન રીતિ માટે "સંઘટના"

એવા જુદા જુદા શબ્દો વાપરે છે.


In this way the Riti is the way of poetry. According to Vamana Riti means,


रियते गम्यते अनेन इति रीतिः ।


(એટલે કે જેનાથી જવાય છે ગમન થાય તેને રીતિ કહે છે)


રીતિ એટલે રસ્તો, માર્ગ, વાટ કે પંથ. In modern terminology Riti means,


"Way of expression"


Vamana is called Riti as a qualified position formation.  A phrase without marks is not that way.  Vamana has not imagined the difference between Guna and Riti, hence Riti Sampradaya is also known as 'Guna Sampradaya'. Vamana has differentiated the style from the region so it is considered different from the poetic style. Because the style is based on poets. There is three main root of Riti,


  • Quality (ગુણ)  

  • Interests (રસ)

  • Temperament of poet (કવિ સ્વભાવ)


"Style iz the man"

-Dandi


4. Dhvani Sampraday 


Composer of this school is Aanandvardhana. Dhvani  theory is very important in Indian literature. Anandvardhan established the reputation of sound as the soul of poetry by refuting sound contradictions in his book of poetry called "Dhvanyalok".  Forms and distinctions are explained in detail and the types of poetry based on Dhvani are illustrated.  According to him the true authority of the poetic place is the Dhvani theory. 


काव्यास्यात्मां ध्वनिरीति ।

-Aanandvardhan


The principles of Alankara, Riti and Guna were not the principles of the inner self of poetry.  It was not realization, but principles of expression.  Dhvani's behavior is based on the fourth consonant of the word.  Phonology reveals the consonant or sound of poetry.  It thus reveals the essence of the poem, so it is the core of the poem.  Dhvani means perceptible meaning. There are three type of power of word,




The Dhvani doctrine is not explicitly indicated in grammar.  But Dhvani is alluded to in some satirical metaphors.  The word sound is used in five senses in poetry,


  1. વ્યંજક શબ્દ

  2. વ્યંજક અર્થ

  3. વ્યંજના શક્તિ

  4. વ્યંગ્યાર્થ

  5. વ્યંગ્યાર્થ પ્રધાન ધ્વનિકાવ્ય


Showing the form of Dhvani, Anandvardhan says that in poetry, a special meaning which is different from the meaning of reading is called Dhvani.  Dhvani is the special meaning that is derived from the abandoned meaning of poetry.  Anandvardhan considers Dhvani to be the chief.  It provides three types of Dhvani,


  1. વસ્તુ ધ્વનિ

  2. અલંકાર ધ્વનિ

  3. રસ ધ્વનિ

In all of them he consider Rasa Dhvani as best. There are three type of Dhvani according to the location of the sound. 


  1. ઉત્તમ કાવ્ય

  2. મધ્યમ કાવ્ય

  3. અવર કાવ્ય 


The specialty of Dhvani is that it has become an alternative to Rasa.  He also gave importance to create Rasa in the form of Rasa Dhvani and included it in himself.  This way …


ध्वनि आत्मा काव्यस्य ।


Is became the motto. This way Dhvani is the best poetic element. 


5. Vakrokti Sampraday 


This is also an important branch of Indian literature. Kuntak is believed to be the originator of the Vakrokti (irony) theory.  Irony was practiced in both broad and narrow sense.  It is his special achievement that Kuntak accepted the broad form of Vakrokti and called it the "living of poetry" (કાવ્ય નું જીવીત) and developed the theory of Vakrokti.  He has called Vakrokti the soul of poetry and has given a book called "Vakroktijivitam". 


વક્રોક્તિ એટલે વક્ર ઉક્તિ. Distinctive and miraculously distinctive utterance from ordinary vibration.  Kuntak has subtly illustrated the various differences of curvature (વક્રતા).  Acharya Dandi divides the whole oratory into two parts. 


  1. સ્વભાવોક્તિ

  2. વક્રોક્તિ

Kuntak gave its definition 

वक्रोक्तिरेव वैदग्धभङगिभणिति ।

વક્રોક્તિ એટલે વિદગ્ધજનની ભંગી ભણીતી સંસ્કારી રસિક માણસની વક્રતાયુક્ત વાણી-છટા. There is six types of Vakrokti,


  1. વર્ણવિન્યાસ વક્રતા

  2. પદ પૂર્વાર્ધ વક્રતા

  3. પ્રત્યય વક્રતા

  4. વાક્ય વક્રતા

  5. પ્રકરણ વક્રતા

  6. પ્રબંધ વક્રતા

Kuntak also tries to incorporate Dhvani into Vakrokti.  Its influence was such that the phonological principles of the past were compelled to consider the types of Dhvani as Vakrokti. Thus irony (Vakrokti) is the predominant principle of genre science.  Kuntak rightly said that, 


विचित्रैव अभिधा वक्रोक्तिरित्युच्यते ।


એટલે કે વિચિત્ર પ્રકારની અભિધા એ વક્રોક્તિ કહેવાય છે.


6. Auchitya Sampraday 


The Auchitya (justification) principle of Indian literary philosophy is known as the Auchitya (justification) sect or theory of Acharya Kshemendra.  The idea of ​​justification comes from Bharata's Natyashastra.  For example, in a play, costume, speed, text, acting, etc. should be consistent and similar to each other, then Rasanispati can take place. 


Acharya Vamana, speaking of merits and demerits in "Kavyalankar", states that justification is a virtue and impropriety is a fault.  Righteousness makes even the bad thing good and beautiful.  For example,


  • કાજળ કાળું છે, પણ સુંદરીના નયનમાં આંજવાથી રૂપ બની જાય છે.

The scripture that Kshemendra establishes on the Auchitya (Justification) discussion is in "Auchitya Vichar Charcha".  It formally and emotionally represents the principle of Auchitya (Justification). 


उचितं प्राहुराचाप्राहुराचार्याः सद्रुशं किल यस्य तत् ।

उचितस्य च यो भावस्तदौचित्यं प्रचक्षते ।।

અર્થાત જે જેના જેવું અનુરૂપ હોય તેને આચાર્યો ઉચિત કહે છે. ઉચિત હોવાનો ભાવ તે જ ઔચિત્ય છે. 


There are 28 parts in the poem. Where justification is inevitable. Kshemendra divides these elements into four sections. 


  1. ભાષા શૈલીનું ઔચિત્ય

  2. રચનવિધાનનું ઔચિત્ય

  3. વિષયનું ઔચિત્ય

  4. કલ્પનાનું ઔચિત્ય

The famous scientist Hires also gives six types of Auchitya. In them,


  • વિષય

  • ચારિત્ર

  • અભિનય

  • ઘટના

  • શૈલી

  • છંદ


Are included. Ancient philosophers used "Sense of Proprietary" for Auchitya. Auchitya is not the soul of poetry, but it's a compulsory quality of poetry. So that's why it's touched with the exteriority form of poetry. In the sense, ઔચિત્ય એટલે સર્વાંગસુંદરતા. 


To wind up we can say that different sects of poetry are obtained.  In which some make the inner beauty of poetry the best, some emphasize the outer beauty.  In this way care is taken that there is no fault in the poem.  Emphasis is placed on certain parts of poetry or certain perspectives on poetry.  As a result 6 schools of poetry emerged. 


Here i'm attaching the videos of the lectures of Dr. Vinod Joshi sir on indian poetics.










Thank you...


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